the new exium on nheoma is straight ripping repetitive techno music with scorching soundwaves and edgy beats. all 3 tracks are perfect for the dancefloor.

after his debut album connecting the dots at the end of 2010 and several remixes in 2011, h.o.s.h. finally returns to diynamic music with some fresh productions and a statement: life is music is life. thats the name of his upcoming, long awaited ep, showing new sides of his verified and openminded taste in music. h.o.s.h. presents us three astonishing original takes on vocal music, all featuring the soulfull singer malonda. the opener what do you want me to say? is an immediate hymn consisting of an emotive vocal supported by sexy percussions, an impulsive cowbell and a deep, pumping bass. totally focussing on getting people to move. this one will stick right into your head. on the a2 h.o.s.h. again introduces a straight groove but this time he combines it with repetitive vocals, hypnotic synth-sounds building up tension and even some slight strings. hidden pleasures is an instant viber. the finisher high! is slow and a true groover with a gripping bassline, drifting melodies and a vocal singing a short story about those special moments on the floor that we all know. in the end h.o.s.h. has managed to re-introduce himself without even focussing on this.

achterbahn d amour is courtesy of edit piafra & iron curtis. rooted in nu&#776,,,,rnberg, city of love. jx2 is another slammer, guided by lush pads and some quirky acidish bassline that cuts from your left brain to your right brain and then straight to the next dancefloor. there is no escape, dont even try! the other side of the platter has more to offer: the middle of is a high standard dj tool with heart. repetitive loops all over and no end in sight. but(t)! exactly the right amount of dirt to keep you movin and shakin that hips. oh, we have to admit, no rnb samples were used at all. sorry guys! if youre into pop music with a certain love for jackin house music, youll probably go for into the wilde. this song was recorded just before a mad club gig in berlin and you know what to expect: pitcheddown and pitched-up vocals, a live bass and drum machine workouts galore. frank says: these guys are hot as hades. early plays by gilbr (chateau flight), axel boman, basic soul unit, hunee, san soda, roberto rodriguez, red rack em, sasse, ethyl, patlac, matthias vogt (motorcitysoul), francis inferno orchestra, snuff crew & foffie.

young david august, as usual spoils us with three gorgeous tracks of which it is quit hard to pick a favorite. the eponym comes a long with a repetitive vocal line which will stay on your mind for a long time. with its pumping baseline and one stretching acapella breakdown, >you got to love me< is a guaranteed dancefloor-bomb.

two children of 35 tired of life, indecisive if they should commit suicide or continue to produce boring and repetivie music.in the end the boring and repetitive pusic wins. perhaps because making house music is the best way to feel alive!

elias landberg from skudge introduced me to bleak, saying he thought i d like his music, and he was very right! bleaks tracks have a unique mixture of deep hypnotic and repetitive grooves with a special soul and magic to them. i let you discover the tracks, and i hope you d like them as much as i do! - dj deep.

exactly two years after his first sirion release we proudly present mastras second 12 inch titled >out of nowhere<. this time around in collaboration with his buddy jon donson, who also released his first ep on sirion in spring 2010. the mood and structure of this latest coup entirely reflects the familiar yet different of the bernese natives mastra & jon donson. for the first time in form of an exciting fusion of individuals signed by both distinct handwritings. >out of nowhere< is a deep and, owing to a impulsive bass drum, repetitive deep house track. this impression is given through a state of mind clearly offside of a classic course. nevertheless its bits and pieces remain stuck and arent easily banished. pablo bolivar is known for his large spectrum of high quality compositions. upholding that standard he delights with yet another impressive interpretation. the subtly chosen synth revive the base of the original track - an impulsive remix of vast variety.

the labeldebute from be that as it may is served by ricardo esposito and michael nadje, with friendly support from luke hess.
the a-side of the record is the epic title track >nieves<, that in a straight way controls the nightly events on the basement floors. nieves is without a doubt taking each and every clubber on a mind trip. thanks to the drums in various arrangements, in combination with the heavy bass, nieves generates a forcing groove that even makes the floor dance.
luke hess reshapes nieves in a consisting and open way. with the given resources the remix is coming to an unsurpassed dynamic, which through percussion and dubby chord patterns is impressively direct. with this interpretation hess respectfully completes the release with sovereignty. vivantes is a classic tool which builds on the foundations of dub and rhythm. through the strongly repetitive pattern vivantes developes to something meditative, grounding the listener at the end of a journey of this extended play.
it is what it is.

played and supported by chris liebing, tommy four seven,speedy j, adam x, norman nodge, colin dale, dave ellesmere, brendon moeller, audio injection, forward strategy group, arnaud le texier, ness and more.
second release for the label created by darkcell. another step in the deep darkness of the modern techno, industrial, where the sounds come together to repetitiveness. sounds powerful but always hidden by a fog that makes the original track for a walk in our modern times. the remix of perc (perc trax, clr, etc.) makes the whole vision faster and stressful .. creating a set of rhythmic and repetitive sounds that destroy and alter any vision around ourselves. the version of bcr boys (nachtstrom schallplatten, darknet, etc.) has drawn much more syncopated, and industrial, the sound cut the atmosphere created by the syncopated rhythms ... a set of mysterious forces surrounding the whole track. power of darkness!

finding the new matter is reekos new album, second in his career after submitted to involuntary treatment, published in 2004 by the british label inceptive.more than ten 12inches for the best techno labels around, led up to the release of this new and eagerly awaited album by the spanish producer. his mastery of digital tools and excellent sonic capabilities is made evident by this intricate work, which runs from environmental experiments, through deep and scientific techno, to sounds of an industrial and raw kind: his specialty for years.the album begins with the beginning , a small track that serves as an atmospheric intro in which the digital textures and pads are the main ingredients, starring in one of the few melodic moments on the album.movement starts with strange beings , repetitive synth strings, sine waves and rhythms that start to generate the tension needed in order to enjoy the album. an abstract track with a space flavour, in line with the best standards-bearers of scientific techno

excellent deep house album. andy vaz s straight vacationing, his first full-length artist album, since the 2006 release of repetitive moments last forever…, registers as less a straight-up collection of dance-floor burners and more of a variety pack that mixes club tracks and full-fledged house songs. listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but they ll also get a whole lot more on this dynamic and well-rounded set of eight album tracks and that is exploring house music not just as a simple one way street, but give you a very personal view of the music we call house.

played and supported by regis, norman nodge, luke slater, jonas kopp, perc, dvs1, samuli kemppi, adam x, dimi angelis, jeroen search, markus suckut, rolando, pfirter, slam, edit-select, cassegrain, par grindvick, audio injection, tim xavier, drumcell and more. the m_rec ltd, has become one of the most interesting labels in the world techno scene after only eight releases. labels owner is max m! this time he shows an original track, pure sound signed m_rec ltd. a journey with a very deep sound. something that comes from his background, a walk through detroit, birmingham and berlin. a rhythm that is not heavy, repetitive riff that nullifies any inhibitions. it s definitely evil, its a reminder of the deep and pure techno.the first remix is signed by shifted (mote evolver)! one of britains most important artists on the scene. the sound becomes more intense and repetitive. the rhythm takes on a form of drum and hi-hat, classic techno. effects on riffs, amplify everything and they turn the track into a totally hypnotic pleasure. ascion (repitch / drumcode / synewave) is the artist of the second remix. being a promising youngster he has now become a reality. the sound is industrial, but without a heavy rhythm, more like background noises. reverb and effects that cancel themselves suddenly. the riff from far away is almost unrecognizable. a version definitely carefully devised and researched.

eclipsemusic is pleased to announce the sixth release introducing the talented canadian producer matt thibideau. he is known in toronto, detroit, montreal, & berlin for having performed with the ikes of mike huckaby, akufen, richie hawtin andreleasing music on labels such as mike shannons cynosure and sub-static with hisnew wave-industrial band repair.. matt has a very personal approach to making music that refuses to use software instruments and give free expression to his unlimited passion for the sound of his analog synthesizers. he records directly through a mixer playing his live instruments. this particular feature shines through his deep and warm sound! >when its time< is a typical techouse style track with a solid structure consisting of a straight and bouncy rhythm, deep bass with futuristic chords and techy arpeggiators running over it. the track starts very deep develops into a more raw sound that leaves no survivors on the dance floor! >holding on to you< is a much more dub-oriented track this time we have ambient and rarefied atmosphere which develops progressively over a repetitive bass line and drum machine rhythm with a mixture of chords and pads typically inspired by the basic channel sound. the title track >night drive< (licensed from matts obsolete components record label) is a masterpiece of deep house music vaguely reminiscent of many mid-nineties works from labels like guidance recordings and wave music, that will become an instant classic for all deep-house heads. very melodic and groovy bass line with a mixture of pads, reverberated chords and many delayeffected elements. 7 minutes of pure deepnes

its been two years since pawas gupta contributed an enchanting remix on sirions first vinyl release. constant communication and cooperation lead to this all in all accomplished project called >huis huis ep<. pawas productions start off smooth and impress with delightful elements and perpetual dynamic. the development of each track is rarely predictable. tempting the act of prolonged anticipation is a delicate one and leads further and further into remote realms. carried into the sec repetitive parts by finely tuned synth-boosts makes us realize the force briefly before being caught up in the hypnotic sounds again. propelling deep house with a pinch of funk and a touch of detroit - the classic yet brilliant pawas style! moon harbours chris lattner needs no long introductions. releases on nrk, einmaleins, fear of flying and luna records speak for themselves, are proof of a successful and active time. the dry yet truly ideal base frame for subtle but succinct modules for this remix is its effective substance. the static sub bass, fulminate and with an enormous thrust, is reminiscent of the miami bass age - virtuous modulations, the very complexion of mr lattner. he remains true to himself, we like!

music always played a significant role in the life of javier viudez and rainer serrat and the quest for the music made them leave their hometowns mallorca and barcelona and move to london where they met each other and started sharing a studio in 2004. constant flow of releases on labels like serialism, safari electronique, vinyl club and serious club gigs followed. here javier and rainer kick off a new chapter and team up for 4 tracks, tales of lost memories and other-worldiness of early morning hours, that were some of the best kept secrets of loco dice sets this summer. the repetitive title track “scusas” with its hypnotic, scale wandering staccato bassline, >rainer nostalgia< with its uplifting vocal shouts, the timberlake infected, driving >nuevo cedar< or any other piece of this collection, these boys seem to have a golden hand for stripped down grooves

played and supported by: adam x, ben klock, samuli kemppi, dvs1, edit-select, norman nodge, oliver ho, perc, shifted, cio d or, max_m, lucy and more... m_rec ltd continues to ascend as one of the the most interesting labels in the techno scene. today s release sees giorgio gigli (prologue music, zooloft, electric deluxe, elettronica romana, etc.) sign two original tracks and a remix of one of the most important artists of the past few years: terence fixmer (electric deluxe, prologue music, etc.). together, their approach creates something special and unique. in its original track giorgio gigli delivers the best of its hypnotic and psychedelic techno. a great atmosphere, where the ambient pads meet the dark bass sound which made giorgio one of the most significant artists in the new techno scene. the side closes with an ambient session, a drone of pure electronic,dark synth, making the idea of the state of mind of his own individual unconscious.terence fixmers version is decidedly more rough, stripped of certain atmospheres, highlighting a more hypnotic and repetitive attitude. this rough sounds have for many years marked terence fixmer as an icon of the techno world. this is a great release of modern techno!

district of corruption is proud to present a very unique collaboration between dilo and egon orange. dilo hails originally from buenos aires and is known for connecting the two worlds of rock and electronics. dilo is currently living in a perpetual summer, splitting his time between berlin and buenos aires. dilo is running his own imprint, igloo records, and has released on numerous other labels such as we are, minus, clink, unfoundsound, and einmaleins. egon orange made is production debut in 2009 on igloo. egon has also been refining his unique live show for several years. >take me home< is a tech-house gem. strong and repetitive percussion is set against dilos own fragile voice make this a perfect summer storm. we expect you will want to take this one home as the memory of a perfect night out. >röte< is the perfect flip. warm special pads pulse along with deeply hypnotic percussion and bass. ear candy is abundant but this is a no-frills journey. >röte< gently develops with lush analog keys and heavily processed vocal oddities.

supported by luciano, claude vonstroke, alexi delano, ekkohaus, shinedoe, estroe. once more, a newcomer is going to be introduced on this tonkind release. its samuel fach, better known as laufmasche, who mainly was producing and remixing for the techno genre, is now getting more into a fresh-funky house sound. the change of residence from the mid-german student city giesen to the pulsating captile berlin, suppose to give him a fresh creative spring time. simple pleasure becomes his new calling card on this new project. this up-coming tracks are one after the other an absolute ear catcher and gives you an easy access to this open but already significant individuel sound. with an special touch and in a simple way, samuel fach combines soulful keys and lead sounds with an classic repetitive house-beat, without sounding mainstream or retro. he mediates a feeling of freshness and warmth, either with peak time runners like murter or discore or the expanding smotha work on the show and simple pleasure. all tracks, you will hear instantly, are coming from the same citchen, where a young and creative chef is cooking amazing stuff with very special flavour. one thing for sure... more choices of samuels menus will succeed.

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

alex cortex >unshell< is the follow up to his acclaimed >i wont conform< (pom22) and the foretaste for his upcoming album which is going to be released on pomelo this coming fall.
>unshell< features 4 modern dancefloor tracks in best cortex style, characterized by tight rhythmic structures and a unique and irrestistible hypnotic power.
from deep stumbling house grooves with piano stabs and a male vocal admiring >your sexy moves< and a chicago jacker with a repetitive voice on the a side, to athmospheric dark techno with warped sound effects and breakbeat house layered with modulating 8-bit sounds on the flip, this record shows once more alex cortex skills to move off the beaten tracks in his very own style.

his debut four track ep highlights his individual approach to song writing with the gorgeous, deep and moody >i am machinery<, a fitting title for a track where the human voice integrates seamlessly into the analogue electronics of the machines. >pointers’ changes the mood and aims at the dancefloor, with strings and synths fully indebted to detroit techno, but with a constant human touch from his jazzy scat cutting in and out of the heavy groove. >some days< has the biggest sound on the ep with multiple vocal tracks layering over the crisp drums and pulsating synths. hes combined his keen ear for melody and a firm grasp of the dancefloor for this track, making it many djs favourite on the ep due to a club friendly structure, yet striking originality. >set myself on fire< closes the ep at a mellow tempo, and can easily hypnotise the listener with its repetitive vocals, haunting whistles and sleazy beats. this is only for the beginning for debukas, these four tracks are just an introduction to one of the finest talents from the uk electronic underground

nice price deal !!! atom heart and pink elln team up again for what is volume 12 in their live recordings series. for the first time on pomelo, this set was recorded on november 14 2009 at berlins infamous berghain and features pure analogue acid techno, applying repetitive tones and baselines over deep 808 beats.
1 track per side, 11 + 13min, building slowly and highly hypnotic.
as a very special bonus the record comes with a hand-painted cover art, courtesy of dextro.

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

minus yogis is the brainchild of the japanese motoyoshi donkey shimazaki, ex- tokyo policewoman, kimiko kawabe and englishman abroad, max essa.
>all tied up is propelled by a proper bass line, repetitive chord vamp and otherworldly percussion, minus yogis create a tracky groove before dropping a synth and strings combination. the remix comes courtesy of juju & jordash! the juju & jordash gospel mix of >all tied up< is the soundtrack to a very disorientating sermon at the church of deep house psychedelic drama. heavy, dubbed out music for heads.

and there’s more.. number six in million dollar disco’s latest release series, as you’ve probably come to expect, is more vintage dancefloor fodder from the reels (mac) of al kent.. “message to the people” started life as a classic, then went through the blender, coming out all wrong, but so right. stomping along on a killer clav groove, punctuated by horns and an evergreen vocal. ” feel the groove” is a heavy hitter, thumping drums and bass with a synth hook that grabs you and doesn’t let go. finally there’s “keep on doing” which is almost house music in it’s simple repetitive bass groove and gospel style vocal shots.. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more

party breaks unabashedly shows its colors with 4 new brilliant marcos cabral edits. with samples ranging from boogie, to piano house, to a beefed up disco ballad, marcos layers sounds and phrases in an effortless manor for major effect. sometimes robin s will peak through, sometimes bob-a-rella…all within a strict drum machine groove. all the tracks were clearly built with the dj in mind, repetitive when wanting to hypnotize, and pop when wanting to catch listeners.

manchester based freak seven, known for his releases on new religion a few years back, teams up with renowned vocalist aniff akinola, whose large cv includes co-writing a guy called geralds >voodoo ray<. together they produced two 21st century techno soul tracks that both are on heavy rotation at rh hq ever since they made their way into our offices. nano kids is a pulsating house track which get uplifted by aniffs voice, creating an anthematic message from the future. feel the soul is a more intense, urgent track based around repetitive feel the pressure,.. vocal. its dark, robotic feel will surely cause mayhem on the floor.

upfront final copies only at decks.de !!! friendship and the love of good music is what brought mike machine and sirion records together for this special ep. mike machine has quite a wide-ranging horizon of musical experience - from member of a band, student of music & media, video & audio artist, label member, promoter/organizer to dj in clubs. mike has the curiosity and the urge to create in any area of musical creativity and transfers this in exciting and thrilling ways each time anew in his productions. designed multi-variantly, based on an original rhythm and fashioned with individually created elements joker immerses the listener into a world full of energetic surprises. the repetitive, flowing foundation most definitely guarantees a gripping experience in mikes machine. david labeij chose not to play a joker when we met recently and luckily the remix resulted in a quite atypical style thanks to the quite euphoric surrounding. we most surely like it!

first ep to deymare on trazable recordings, with this fantastic work. there are two original tracks and two remixes of losoul and rio padice. the original tracks are between deep house and disco funk. quality, pace, strength and a lot rythm, the public will enjoy! the remix of losoul, has an electronic base, with a repetitive groove, sounds and rhythms go and back with a unique atmosphere and with excellent sound. the remixe of rio padice, pure house, very sharp bases, and a lot bassline rhythm to the dance floor. indispensable in any case and for all public.

this outstanding piece from jackie misfit, london based deejay, producer, vocalist and multi-instrumentalist presents a harmonic collision between primal africa and western culture. complex in its structure, based on polyphonic singing technique called jodel and articulated together with the dance, pigmy music has much in common with contemporary dance music. the concept was to create the impression that the instruments were played by the tribe to give the impression of being around them. to gain that, jackie used a variety of drums, whistles, harps, instruments built of coconut shells, animal skins and sanza wood by pigmies and vocals recorded in congo rainforest during the tribal rituals. its crafted in the western manner but the inspiration. basic repetitive patterns, vocals and instruments used in this production are original. together with the title that translates as the community of love, and works as homage to the humanitarian organization in congo that is focused on preserving pygmies and their culture.

edit-select reach their 10th release, and to celebrate they have chosen possibly the biggest track from the previous 9 releases. gary becks consumed. this monster of a track (which featured on richie hawtins sounds from can elles dj magazine mix), has been remixed by mark broom, and dutch techno legend speedy j. brooms bang bang mix is typical of his dark techno sound which of course fits perfectly on edit select, and speedy j cranks the intensity up a notch, with his repetitive groove that just sounds immense on a big system (when of course played on vinyl). there you have it. the labels biggest release to date, and by far the most limited

big twelve from us label slant featuring glasgow s edit select and alex smoke. label owner let s go outside supplies the b-side.slant s fourth 12 yields two mighty pieces of techno. one side is let s go outside s epic valentino , the other is the absolutely wicked the retainer from edit select and alex smoke. all the criteria for a classic split are met and well exceeded here.the pairing of edit select and alex smoke is simply brilliant. the a side s the retainer is crowd control. alex s signature vocal cut ups and chugging percussion layered atop edit select s hypnotic, repetitive style make for a true techno masterpiece.on the aa side, let s go outside throws down a deep, seductive, tough cut with valentino . airy pads float atop pulsing bass and a subtle, driving orchestra of percussion and static. the entire piece slowly ebbs before crashing down, repeating, the pace deliberate and guided by soft words about first loves.

called the italian sucessor of early maw nicholas continues his edit journey on his no more hits label.
side a - 1 techy floating key, housey beats with, creates moody atmosphere though vocal chop is smoothly working.
- 2 simple but effective minimal house groove, repetitive key riff with female vocal.
side b - 1 funky synth bass goes nicely with dreamy soft keys & male vocal. it reflect the title >sunshine and rain< atmosphere ...
- 2 slow house with the tough kick sound, bougie bass, vibraphone with japanese female vocal work along >l.a. nights< chorus hook.

shadow sync are back with two new bomb tracks with a fresh techno touch for their fifth release on krd. the imploded beats of theia hit the dance-floor like a meteor shower, accents in reverse weave the rhythm supported by background reverberations. a grooving tr-909 complete all. jitter is a tribal repetitive trip that arises from a genetically modified marimba (courtesy of our beloved 8-bit mirage). reversed hi-hats, hypnotizing delays, bit-reduced accents infect the main synth line making it sick: disorientation guaranteed!

its a fine line between reference and cliche
its a fine line between rough and cheap
its a fine line between moody and dark
its a fine line between independent and arrogant
its a fine line between obscure and abstruse
its a fine line between intricate and complex
its a fine line between passion and obsession
its a fine line between ambiguity and confusion
its a fine line between style and genre
its a fine line between loud and proud
its a fine line between repetitive and repetition
its a fine line between principles and rules
its a fine line between simple and easy
its a fine line between ideas and ideals
its a fine line between nu and new
its a fine line between disco and disco
its a fine line between tim paris and ivan smagghe ... and thats why they are walking it.

sometimes a loop is more than a loop. patterns that appear repetitive arent that repetitive if you take a close listen. adding lopazzs voice to this epic track is the ingredient that injects that next level of energy, the mystic touch, the it. that voice seems to dance with and around the music. and with every twist, the listener is drawn deeper into mr raoul ks world build of warm bass and cautious beats. a place in which someone would easily get lost if there wasnt the voice to lead him throughout the long journey...

we are delighted to welcome the mighty russ gabriel to ever expanding dieb family and have him contribute this excellent 3 track ep to our catalogue. fans of russ sound as well as the uninitiated will not be disappointed here as there is a very wide stylistic audio palette on display here-yet still retaining russ quintessential production aesthetic and quality.
ranging from the epic, old school >returning home< with its haunting pad and melodious bass arpeggios to the stripped back chugging tech house workout of >push it along< and the futuristic, techno-infused >narita express< with its modulating stabs and catchy, repetitive bassline it is easy to see why russ is and has always been considered a unique and exciting music visionary equally capable of creating harmonic, atmospheric soundscapes or high energy, functional beats aimed squarely at the dancefloor.
whatever your preference, this package is sure to satisfy even the most discerning ear or demanding club crowd! enjoy!

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

catalog number 004 on four roses recordings is yet another sublime release of the motor city drum ensemble. following the success of his first single for frr, breath control, danilo plessow this time brings us two quite unique tracks: the a side (sunsequence) being a dark, repetitive and haunting piece of post detroit techno which continuously builds layer upon layer, until it finally explodes: the pulsewave drones, jupiter chords and 808 patterns will cause maximum effect on the dancefloor. feel the love on the b side slows things down a little, but keeps the dark mood, adding some of that old school sample flavour to create a trippy afterhour track, that sounds different from anything you ve heard lately. ltd restock

siopis is not setting out to change the entire landscape of dance music, but he is doing his part to keep routine samples, repetitive vocals and redictable formulas at bay. his reinvention of seasoned veteran producer silversurfer, is a reincarnation that exudes development, maturity and experimentation. stemming from the roots of an era spent making many a club ready killers that touted him as a promising talent in the early 00s. his latest get physical release, >really love ya<, reveals even more flashes of brilliance of his production artistry.
big with: sasse, kabale & liebe, layo, lauhaus, paolo mojo, konrad black, brothers vibe, konrad black, ewan pearson, sis, timo maas, john selway, samuel l session, dop, gabriel ananda, catz n dogz, simon baker, tiefschwarz, john digweed, cassius, ben watt, nick curly, slam …

the second m_recs release confirm the label concept: pure techno sound. in this release max m (m_recs owner) presents the title track >egg< with his repetitive groove characteristic. three big artists make the remixes. the first one by the english chris finke (flux recordings), the second one its too hard by the dutch techno master bas mooy (audio assault) and the third rmx is by the dutch intelligent techno artist charlton ravenberg (labyrinth, audio assault). if this is just the second release, i cant imagine the future of this label. its a concentrate of the best techno for all the techno crowd. big!

we had some unfinished business, so after long deliberation her is the return of creme jak! jtc (aka james t cotton) opens this ep with a devastating 70s disco/funk/jak hybrid, hypnotizing crowds with a repetitive funk guitar and throwing them into a jakking frenzy with a steamrolling basskick counterpoint. simply jak-tastic! followed by a silky chicago dub jakker for the comedown and were ready for 2am/fm. or are we? these two cats rave up the place with some of their patented deep rolling chicago-house influenced trax, but spice it up with a thick-slick muddy bassline before erupting like old yeller. top

big with: norman nodge, surgeon, dave clarke, peter van hoesen, mike parker, ben klock, marcel fengler, laurent garnier, hell, vince watson, ben sims, cassy, slam, dan curtin, ...
with releases on labels like ostgut, time 2 express and prologue, the finnish producer is one of the leading lights in the new wave of european techno. samuli gets straight down to business on orbiter. based on chugging, insistent drums, the listener is led to a place where repetitive droning sounds, pitched up percussion and robotic bleeps dominate. if ever there was a soundtrack lose your mind to in a dark room, then >orbiter< is it. >metal space< is more considered, but its no less effective. berlin producer mike dehnert rounds off the ep with an excellent, deeply textured take on >metal space<.

marquese, best known for his hit >keep movin< on la pena, has released an outstanding record on niveous proving yet again his talent for dancefloor and deepness. let the weekend begin! >weekend you!< is an excellent tool with a massive kick stomping over a landscape of powerful percussions and repetitive sounds. >la musica< (dawn mix) takes a different path. unique moments emerge as piano, choir and atmospheres move to the same groove, sometimes unfolding more obviously, sometimes more subtle.

nice price deal !!! the songs on yachts debut album see mystery lights from the bouncy, burbling you cant take it with you screed the afterlife (which plays like a less spastic companion piece to the mae shis run to your grave) to the roller rink ready vocoder vocals of im in love with a ripper represent yacht at their most poppy. its a collection of stone jams that finds the band finally as hellbent on experimenting and expanding the boundaries of its sonic scope as it is on having fun. built on electronic foundations laser effects, skittering computerized beats, and spacey synth lines (or guitar riffs that have been tuned or distorted to sound like synths) these new songs are giddy with creative freedom while remaining tethered in service of their melodies. the vocal melodies are bright and buoyant, but delivered (by either band member, or in unison) in a chanted, oftentimes detached monotone that plays up the repetitive lyrics mantra like feel and adds a welcome undercurrent of slacker cool to their otherwise sugary optimism.

we are very proud to announce that fluxions new 12 inch will be released on echocord + an upcoming full-lenght album later. greek artist fluxion (aka konstantinos soublis) first presented his style of dub-influenced techno through a series of 12 inches and albums on the berlin label chain reaction, starting with lark / atlos in 1998. he then released a handful of 12 inches, which ended up in the two vibrant forms releases. in 1999 he created the vibrant music label.fluxions first 12 inch release on echocord titled >inductance<, is what the title implies. it is an escalating reaction between sound and flowing particles, a dance infusion. two deep dub club tracks that with a strong movement feel, and sublime atmosphere, characteristic of his productions. >inductance<, always changing, with a strong dubby platform and elements moving and shifting on top, living the listener wanting more, despite the 8 and so minutes. a deep listening track straight for the dancefloor. >elation< is a more atmospheric track creating strong emotions, in a more suttle way. a climax of sounds and harmonics that carries the listener, to a higher emotional state. the rythmical dub base alongsibe repetitive melodic parts complete the picture of a unique listening.

tommy four seven returns for the fifth release on his deep techno imprint, shooting elvis. london townis typical of tommy, deep, dark and hypnotic using repetitive locked drones marching to a fierce groove and sharp percussion. early support from chris liebing, joel mull, hernan cattaneo, mark-henning, perc, darko esser, pheek, xpansul, sebastian roya, dave shokh.

the first single from her upcoming wagon repair debut album and her first release of 2009, dinky (aka alejandra iglesias) is ably following up on the momentum gathered from her 2008 album may be later on vakant. in a decade of releases on labels from cocoon and traum to carpark and crosstown rebels, dinky continues to cement her place amongst technos most enterprising producers with four new tracks. opener wind mesmerizes with repetitive keys looped over a straight kick. chirped tones pulse curiously amidst descending melodic chimes in a steadily evolving elemental journey that equally evokes reich and contemporaries (and new label mates) cobblestone jazz. outro establishes territory with intoxicating arpeggio melodies, while wet hair plunges us into submarine depths. dripping with resonance and reverb, sporadic metallic tones color a dense mix of murky pads and sharp beats. interrupted briefly by an epic symphonic interlude, wet hair continues its descent into deep and dark territories to close. the eps closer, butterfly floats with squeaked melodic tones and breathy vocals taking lead over a busy percussive base. saturated with a variety of sounds from indigenous samples to wobbly bass and deep detuned keys, butterfly takes us on a winding scenic route, disorienting and enchanting in equal measure.

william (theodore) burnett aka speculator started his own diy record label and came up with this stunning piece of vinyl.. two shit hot tracks on a split release from $tinkworx and kinoeye. what a killer 12! the sharkman brings us a deeep techno track with moody piano lines, drexciyan athmosphere and a shit load of depth. typical $tinky material that seems to go deeper and deeper over 10+ intense minutes. then.. we have the flip side by kinoeye (aka datahata) with a shockingly dirty techno house cut.. a deep dirty groove and repetitive vocals that pull you even deeper then where the a side ended. absolute killer tracks here on this nice obscure new imprint from brooklyn. we love it!!